Hallo,

heute gibt es einen neuen Artikel im Metal Hammer Online Magazin. Hier könnt ihr euch den Artikel anschauen, der als Teaser das Zitat von Ville trägt: “This Is Our Most Sexual Album”. Enjoy.

Hier die Track-By-Track Bewertung von Screamworks: Love in Theory and Practice:

Track 1 – Eerie industrial drums lead into a beast of a riff. It sounds like 80’s hair metal with a punk chug and all wrapped up in HIM’s inimitable style. The chorus has an insanely catchy hook that evolves around the lyric “here’s to pain”. A storming, up-tempo start to the album.

Track 2 – It’s a very poppy second track. By that we mean that it’s tailor-made for the radio. It’s played at a similar pace to Funeral Of Hearts but doesn’t have the same moody overtones. The lead hook evolves around the lyrics “I’m not afraid to say I love you”.

Track 3 – After an intro that sounds like it was put together on a Casio-keyboard, arena-sized guitars crash through the barricades. HIM are setting their stall out here, it’s the commercial know-how of Dark Light combined with the pace of Love Metal. There’s an epic building solo in the middle too, really impressive stuff.

Track 4 – It’s got the sound of a single. Off-kilter drums build to a massive, epic chorus where Ville croons that he’s shedding skin to a dying soul. There’s also a heavily Slash-influenced solo on display.

Track 5 – Opening with acoustic guitars, the 5th track is a sweeping ballad that sounds like it could be the gothic soundtrack to a Hollywood blockbuster. Twilightcore? Hmmm, possibly not but it’s certainly in that ball-park.

Track 6 – The sound of a band rediscovering their strongest areas of expertise. Unmistakably HIM, it’s fuel-injected and recapturing the anthemic sounds of the Love Metal era.

Track 7 – Atmospheric verses give way to one of the finest choruses on the album. “These are the things that you make me do” sings Ville.

Track 8 – Once again, a bizarre keyboard intro that sounds like it could be lifted direct from the 80’s video-game Pong (ask your dad). The song itself sounds like Killing Loneliness on steroids. Massive vocal hooks all around this track and if it’s not called ‘In The Arms Of Rain’, we’ll eat our hat.

Track 9 – The heaviest moment of the record so far, HIM break out the palm-muted riffs but it does once again have a very radio-friendly edge. Be warned: there’s a monster of a dirty riff in the middle of this one.

Track 10 – “Let’s fall apart together now” is the sultry introduction to this slick and club-friendly track. There’s an odd almost monk-chanting moment in the middle but this is perhaps the poppiest track on the album.

Track 11 – Keyboards that sound as if they could come from a music box usher in a massively dramatic track that builds around sweeping, ringing power chords. Not a full-on ballad but certainly one of the more tender moments on the album.

Track 12 – A drum n’ bass (yep, you read that correctly) intro gives way to a stomping riff. HIM reach out beyond their comfort zone and into the unknown on a song that continuously mentions St Valentine. It’s bold and brave but it certainly works!

Track 13 – And now for something completely different. 80’s fat bass sound that sounds as though it’s been lifted from a horror movie from the same era. Gentle electronic drums play on this ambient ode that sounds like DJ Shadow’s interpretation of HIM. It’s still distinctly HIM because of Ville’s unique vocal tones but it’s done in a electronic/restrained way. One of the best tracks on the album but this will definitely ruffle a few feathers.

(via Metal Hammer)

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